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The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness.
Even his mere appearance is enough to break loose destructive emotions....: I have to make it clear that not even for a moment is there doubt that it is not a technical but a philosophical question.
This strange state of affairs - the appearance of the foreigners, the extreme frost - disturbs the order of the small town.
Aambitious personages of the story feel they can take advantage of this situation.
There is no time to see the great whale whose body encompasses the world, the wonder of that emptiness that can generate form of such awesome beauty.
The only thing that has power to halt the rampaging mob then is a vision of their own mortality.
While he and his family step up their living standards, others start looking for the disappeared case.
A large, claustrophobic apartment is the setting for this intense chamber drama.
At least this part doesn't require any more comments I feel.The impressions of abstract horror are from a life lived.So it is a dark world rolling into the night that we are given here, from the memory of it, a kind of nightbound universe. Why, most importantly, why even admire the great whale, if the whole is nothing?Of course, it is nothing less than simple honesty on Tarr's part for presenting a world as he does, as we know historically up to now.For the most, it is the Prince that humanity has been the most eager to hear, someone to incite change.